Cinematography helps us understand the struggles and consequences of the dark corners of addiction through camera angles, lighting and point of view. As a result, like the ripe tomatoes that must fall to make room for new ones, Vito must fall in order to make room for the new Don, his son. My thought was that it was better not to see their eyes in some scenes. Sonny may still be handling the logistics of business as the perceived head of the family, but Michael is the interesting, active presence. Perhaps we even correctly infer his ultimate fate from these character developments.
Besides the background music, we only hear sound effects of their meal—forks scraping plates, clothes rustling, the dull thud of Michael setting his wine glass on the table. In an uncharacteristically tender moment toward the end of the film, we see Vito playing with his grandson in the garden. This is not a perfect film; it has flaws, both artistic and ethical. In every large city, there are several cinema houses, while even the smallest town can boast of one or two. And I am definitely agreed with it.
This is a classic, a gangster epic, a bible for cinephiles, giving answers to all the questions. Yet when the old man falls dead among his tomato plants, we feel that a giant has passed. We soon learn, however, that times are changing, even in the world of organised crime. As Laura Mulvey has famously suggested, this domination has caused a clear masculine bias in how films are shot and presented to viewers who, sometimes unknowingly, consume examples of harmful masculinity. When he adorns himself with a pair of fangs, to play pretend with his grandson, the scene frames the gesture as a representation of how Vito performs throughout the film; the only difference here is that viewers witness the process of how Vito transforms himself to convey power, even if it is just to frighten his grandson for a brief moment.
Vito becomes more of a family man, indulging in wine and time with his grandchildren. If the film was notable for the last of the great Brando, it also saw the birth of a new star. Who am I to argue? From a gentle man to one of the most cunning, ruthless, and cold-blooded man ever to come on the screen, he has learned from his father never to talk in front of outsiders and always keep his own counsel. As the action, or character, moves along the screen the tracking shot enables the audience to feel as if they are moving with the action through space. Michael's involvement in the family business increases when his father is the victim of an assassination attempt and Michael wants to kill the two men responsible before going to Italy for a year to lay low. After a brief moment of silence, Michael enters into the conversation.
What is important is loyalty to the family. Not only will the movie compare the two men, but it will complicate the transfer of power enacted in The Godfather. The writing was phenomenal and breathtaking. As a fatigued old grandfather, Vito can no longer stand for too long and he must sit down to watch Anthony play. There are a number of plusses and minuses. Here, Willis' trademark shadows were already in view, as was the framing of characters that increased the sense of tension between them. The soundtrack by Nino Rota is also very memorable, bringing back memories of the film every time I hear it.
With some of the most graphic and gruesome death scenes to have ever been seen in the 1970's film industry including a certain horse's head , 'The Godfather' epitomises how violence can be used effectively within a film. The film lets us know that life is what you make it and that anything is possible if you try hard enough. For the majority of this time these movies were shot using the same film found in photographic cameras. In this scene, which again occurs in the family office, the shot switches from a brief ensemble shot of Michael sitting beneath the lamp, the only source of light in the shuttered room, to a medium shot of Michael in his chair. Many even claim that it foments a sundering influence over families.
There is a fair amount of violence, though rarely gratuitous. That's the sign of great writing; great acting; and great directing since we could have very easily seen someone try to make him likable. Five families of New York Piuso wrote from the real five families of New York, Johnny Fontaine Puzo wrote from Frank Sinatra. Besides, Ichi is so over the top that it would make many Godfather fans want to hurl. He writes about Don Corleone, the head of the Corleone family whom has unlimited power and influence throughout the east coast, yet he remains a respected business man. He despises displays of weakness. Because a real take cares for his family and people only.
The film, if briefly, actually about it. The incredible scope and power of the story still holds up, and it gave a generation of new actors like Al Pacino, Robert Duvall and James Caan their career breakthroughs. Marlon Brando was just awesome dona Carleone. We see Vito change from a powerful Godfather into a playful old grandfather. The story of a movie, and how it flows, is the pivotal component that draws viewers in and keeps their interest.
He survives, but only by being more ruthless than his enemies. Notice the composition of the colors in this frame, the darkness and coolness that envelops most of the frame in the bottom left-hand side. If more frames are added to this second the film will seem to slow down. It was most likely shot from a crane or a helicopter, and it shows the viewer much of the fantasy world that is Middle Earth. Everyone makes the mistake of calling this film a movie about crime. Michael has now officially entered the criminal underworld, posing as an armed mafioso, and he has done so with grace and courage. Again, many films try, but most fail because they come up with unreal literally, not praisingly or simply moronic transformations eg, Wall Street.
Artistically, there are places where it tends to drag, particularly after the killings of Sollozzo and McCluskey, and even more so after the killing of Sonny, although it recovers at the ending, which is a highly effective piece of cinema. However, as Mikey's involvement with the family business increases his violent tendencies. Too many movies made about organized crime begin with some seemingly random act of violence. In his later years, Vito comes across as relaxed and playful, even mellow. Other than getting married, it doesn't really show him doing much of anything, nor does it really contribute much to the story.